Pendo
07-29-2003, 05:37 AM
The latest Set Diary was about Bail Organa and we got a glimpse of his outfit, and it certainly has a OT vibe going on :D.
There was also a picture of his Speeder which looks kinda cool.
Here's some quotes from the Set Diary:
The first scene today is all dialogue -- an important discussion between Bail and other major characters. We're back in a full set, with walls, floor, ceiling and nary a hint of blue to be seen. It's a nice break from the blue and green-filled shooting of the previous week. The set is a conference room -- one with a design that definitely hearkens back to the original trilogy, right down to the array of confoundingly unlabeled blinking lights and buttons that you find all over the classic films.
For the second and third scene today, the crew relocates to another stage. It's back to blue, as we shoot another in a long series of landing platforms. This is not the landing platform set we've shot on previously -- this one is much more round compared to the rectilinear shape of the other set. It's still on Coruscant, though, and now Smits gets to exchange laser fire with unseen opponents.
Bail makes a hasty escape aboard his gleaming red speeder. Explosive squibs lining the speeder create a shower of sparks as Smits ducks for cover behind his vehicle. A close examination of the speeder's contours should provide a hint of familiarity to keen-eyed viewers. The Art Department has adapted the basic shape of the mold used to create Anakin's speeder from Episode II, but it has been extensively modified to make it a unique conveyance.
Hmmm, wonder who the unseen opponents are, Bounty Hunters? Battle Droids? Clones?????
PENDO!
There was also a picture of his Speeder which looks kinda cool.
Here's some quotes from the Set Diary:
The first scene today is all dialogue -- an important discussion between Bail and other major characters. We're back in a full set, with walls, floor, ceiling and nary a hint of blue to be seen. It's a nice break from the blue and green-filled shooting of the previous week. The set is a conference room -- one with a design that definitely hearkens back to the original trilogy, right down to the array of confoundingly unlabeled blinking lights and buttons that you find all over the classic films.
For the second and third scene today, the crew relocates to another stage. It's back to blue, as we shoot another in a long series of landing platforms. This is not the landing platform set we've shot on previously -- this one is much more round compared to the rectilinear shape of the other set. It's still on Coruscant, though, and now Smits gets to exchange laser fire with unseen opponents.
Bail makes a hasty escape aboard his gleaming red speeder. Explosive squibs lining the speeder create a shower of sparks as Smits ducks for cover behind his vehicle. A close examination of the speeder's contours should provide a hint of familiarity to keen-eyed viewers. The Art Department has adapted the basic shape of the mold used to create Anakin's speeder from Episode II, but it has been extensively modified to make it a unique conveyance.
Hmmm, wonder who the unseen opponents are, Bounty Hunters? Battle Droids? Clones?????
PENDO!